Argumentative Essay For Frankenstein

Argumentative Essay For Frankenstein-1
These ‘contrasting’ points of view do not hold fast; the monster is both sympathetic and vengeful, and his reflections are unreliably mediated by his transformation into a heightened state of consciousness.In terms of the creature’s identity as a gendered being, many feminist critics have argued that the creature is constructed as a woman through his acquisition of language.Any opinions, findings, conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the views of UK Essays.

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Although it is outside of the remit of this essay to speculate on a gendered construction through language, it is important to note that the creature’s voice is a product of an education largely intended and deemed suitable for the domestic sphere.

As a foreigner, Safie is allowed access to the shared collective that is language; however, her right of access is granted on the grounds that she has a musical voice and a ‘countenance of angelic beauty and expression.’ (Shelley, 1993: 93) She does not posit a challenge to conventional definitions of normality.

This paper seeks to explore the significance of the creature’s voice, arguing that it adds a philosophical and moral dimension to the novel that would have otherwise been absent.

The narrative structure of Frankenstein involves imbedded stories, where tales appear nested within other tales.

The narrative structure thus problematises any interpretation of language as straightforward and individually assigned and distinct.

A study of Frankenstein as a gothic novel would introduce readings of cultural binaries, where the juxtaposition of normal and human with monstrous and inhuman would suggest that the creature’s voice was intended to sharpen these distinctions.

Indeed, the blind De Lacey permits a conversation with the creature before his impressions become mediated through the eyes of the dominant group.

Participating in a shared system of language is thus only effective in generating empathy or connection up until the moment that sight is introduced.

Likewise, Frankenstein destroys the female being that he is creating, after gazing upon the monster’s distorted features and being consumed by a fit of passion.

The monster’s articulate powers of persuasion are thus rendered subservient to sight, which takes precedence over a convincingly human-sounding tongue.

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