Critical Essays Bernard Malamud

Critical Essays Bernard Malamud-63
There are people who always want to make you a character in your stories and want you to confirm it. My mother and father were gentle, honest, kindly people, and who they were and their affection for me to some degree made up for the cultural deprivation I felt as a child.Of course there’s some truth to it: Every character you invent takes his essence from you; therefore you’re in them as Flaubert was in Emma—but, peace to him, you are not those you imagine. And I don’t like questions of explication: What did I mean by this or that? They weren’t educated, but their values were stable.

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My mother’s brother, Charles Fidelman, and their cousin, Isidore Cashier, were in the Yiddish theatre.

Around the neighborhood the kids played Chase the White Horse, Ringolevio, Buck-Buck, punchball, and one o’cat.

It was continued later in the book-filled study where Malamud writes. MALAMUD That’s how I wanted it—I like privacy, and as much as possible to stay out of my books.

(He also writes in his office at Bennington College.) At first he was conscious of the tape recorder, but grew less so as the session—and the weekend—continued. I know that’s disadvantageous to certain legitimate kinds of criticism of literature, but my needs come first.

His wife, Ann, an attractive, articulate woman of Italian descent, had planned the party, assisted by the young people from Oregon and the Malamuds’ son, Paul, and daughter, Janna.

The taping of the interview began late Friday morning, on the back porch, which overlooks a long, descending sweep of lawn and, in the distance, the encircling mountains.He has a quick laugh and found it easy to discourse on the questions asked. Still, I have here and there talked a little about my life: My father was a grocer; my mother, who helped him, after a long illness, died young.An ironic humor would seem to be his mother tongue. I understand that when the , you suggested doing it when you hit sixty? It’s a respectable round number, and when it becomes your age you look at it with both eyes. In the past I sometimes resisted interviews because I had no desire to talk about myself in relation to my fiction. I had a younger brother who lived a hard and lonely life and died in his fifties.We have two children and have lived in Oregon, Rome, Bennington, Cambridge, London, New York, and have traveled a fair amount. Still, I ought to say I teach only a single class of prose fiction, one term a year.In sum, once I was twenty and not so young, now I’m sixty inclined on the young side. MALAMUD Largely, the life of imagination, and doing pretty much what I set out to do. I’ve taught since I was twenty-five, and though I need more time for reading and writing, I also want to keep on doing what I can do well and enjoy doing.The mythical story of the Fisher King is woven into the narrative, being adapted to the modern times.The themes found in the novel are classic ones, such as mythology and the inability to overcome a certain flaw.There were about a half-dozen young people taking their rest in sleeping bags in various bedrooms and in a home volunteered by a friend and neighbor.Three of them, from nearby universities, were children of friends who were on the faculty of Oregon State University more than a dozen years ago.was published in 1952 by the American writer Bernard Malamud; it marks the writer’s debut in the literary field and the start of his literary career.While Bernard Malamud published short stories before the novel, is what made Malamud be noticed as a writer.


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